East Austin Studio Tour

With East Austin’s affordable housing prices and close proximity to downtown, it’s long been a hub for Austin’s musicians and artists. Over the years the different artists in East Austin started to work and collaborate with each other. Over time this has turned into an event called the East Austin Studio Tour. This allows for artists to see what other people are working on and a chance for people to purchase art directly from the creator, in addition to seeing the studio where the pieces are created. It also allows the artists to get their work viewed by a large audience of interested people and potential buyers. This kind of grass roots endeavor is one more way Austin attempts to keep true to its slogan of “Keep Austin Weird”.

One weekend in November each year, artists open their studios to the public during the East Austin Studio Tour. Each year, over 100 studios, and more than local 200 artists, will be participating on November 17th and 18th. There’s a wide variety of people, styles and mediums on display.

The Bearded Lady and Obsolete Industries have been providing silk screened delights to the Austin community for years. Album art to gig posters, t-shirts to wrapping paper, these businesses do it with flair.

Mark Macek and Brian David Johnson, two members of the splinter group coop, are master woodworkers. Macek now teaches Woodworking and Furniture Design at The University of Texas School of Architecture, and Johnson sells his uniquely designed tables at the local upscale design store, IF+D.

If it comes giant sized, Blue Genie Art Industries is likely behind the project. They’ve painted murals that cover the entire building of the Austin Children’s Museum, as well as creating an 8 foot tall black-eyed pea for “First Night, an Austin’s New Year’s Eve event.

The Austin Metal Authority cranks out iron and steel the old fashioned way- with fire, an anvil and a sledgehammer. Hand forged headboards, iron gates, and swords pour out of their shop.

Touted as a “Must See Flagship Venue”, the Pump Project Art Complex is a collective of over 30 artists. Along with hawking their wares, artists will explain their artistic techniques, demonstrate tools used in creating the art, and discuss their recent works. The Austin Figurative Gallery also houses a wide variety of local artists, skilled in painting, illustration and a variety of mixed media.

The East Austin Studio Tour lists all the studios and their locations in the weeks leading up to the tour, along with the most bike-friendly routes to take (a highly encouraged mode of transportation between studios). Picking up a piece or two straight from the artists themselves, not only helps out the local art community in Austin continue to thrive, it’s also a great way to get more insight on a unique piece of art that a store purchase just can’t provide. Its also a great way to be exposed to a number of different Austin artists and to view the projects they are working.

Ki is a realtor in Austin. He runs a site with a search for homes in the Austin MLS along with providing information on Austin real estate. He posts updated monthly stats on the market on his Austin real estate blog.


Article from articlesbase.com

A Visit to Alicante

Alicante is a Mediterranean port and Capital of the province of Alicante. It is also an important center for cruises, with 80000 cruise passengers disembarking each year. Its economy is based on tourism, mainly to the beaches of Costa Blanca. It is the fastest growing city in Spain with construction going on non-stop. It is

also home to Ciudad de la Luz, one of the largest film studios in Europe. Its Mediterranean climate, with an average temperature of 17.8 degrees Celsius and little rain, makes it an ideal tourist destination.

The Castle of Santa Barbara

One of the first sights you will want to visit is the Castle of Santa Barbara on nearby Mount Benacantil above the city. It has a lovely view of the city of Alicante, the beach and the port. From there you can stroll through the beautiful El Ereta Park which is also on Mount Benacantil next to the Castle.

El Palmeral Park

You will also enjoy a visit to the El Palmeral Park with its picnic tables where you can sit down and enjoy a picnic among the trees. The park also has walking trails and even a lake. You can also enjoy a concert in the auditorium that is also a part of the park.

The Esplanada de España

Another place where every tourist to Alicante goes is to the Esplanada de España. It is a lovely promenade lined by palm trees and made of marble stones in alternating brown, white and dark stripes. It is a meeting place for all, tourists and locals, where you can just stroll and enjoy the balmy Mediterranean air. Concerts and other cultural activities are held here often and you will enjoy a taste of the musical talents of both local and other Spanish musicians.

The Gravina Museum

The Gravina Museum of Fine Arts in the old Gravina Palace has a fine collection of paintings and sculptures from the sixteenth to the twentieth centuries. You’ll find paintings by Antonio Gisbert, Fernando Cabrera and other regional artists who were quite famous in the nineteenth century. With a collection of more than 500 paintings in its patrimony, the Gravina Museum has something to suit the taste of everyone.

The Bonfires of Saint John

You would not want to miss the Bonfires of Saint John, or Hogueras de San Juan, celebrated each year throughout Spain on Saint John’s Day, June 24. The largest and most famous celebration is in Alicante where the festival originated. People build huge bonfires of old furniture or any other kinds of wood. The older people drink hot chocolate while watching the younger crowd jumping over the fires. It is truly a big celebration, with pre-festival activities throughout the month of June. The ‘monuments’ or objects to be burnt are sometimes elaborate creations of wood and cloth and often carry a social message.

Related Art Studio Furniture Articles

IJango – how to network market Google

Ijango USA

Friday night saw the debut from another exoteric declaration from Jay-Z: “You rappers singing a bit much/ return to rap, you T-Pain-ing too much/ I’m a multi-millionaire/ So how am I the most backbreaking n—a here?”

Upon New York’s Hot 97 radio post, Jay premiered afresh song from his approaching Blueprint 3 LP called, “D.O.A.,” or “The Death of Auto-Tune.”

“This is anti-Auto-Tune, demise of the Ringtone,” Hov starts rapping over a track co-produced through Kanye West and No I.D. Hard beats and horns glare as Jay arouses figures of a black John Dillinger holding a fuming Tommy Gun, making a chump ignorant enough to stand in his way. Jay is back to shoot down biting MCs.

“This ain’t for iTunes, this ain’t for singalongs,” he raps afterward in the song. “This is Frank Sinatra at the opera, get a blonde … My raps don’t bear melodies/ It should make jackers commit felonies/ This ain’t a #1 record, this is practically assault with a deadly weapon.”

Last month, Kanye West told MTV News about Jay-Z’s stance against Auto-Tune, the vocal effect used extensively by T-Pain and by West himself on his latest album, 808s and Heartbreak.

“We actually removed all the songs with Auto-Tune off of his album,” West said, “to make the point that this is an anti-Auto-Tune album, even though I released an album that has all Auto-Tune!”

Later on Friday night, Jay called into Funkmaster Flex and Mister Cee at Hot 97′s studios to explain that he’s taking aim at artists who use Auto-Tune as a crutch. He also compared the vocal enhancement usage by rappers to wearing throwback sports jerseys back in the day: Everybody started to wear them and they got played out.

“I think I said something important,” he said, adding that he spoke out “only on the aspect of moving [the conversation] forward,” and elaborated about who he was not going at.

“The guys who did it, did it great,” he explained. “T-Pain, he does great melodies. If you listen to Kanye, great melodies. If you listen to [West's] ‘Say You Will’ or ‘Heartless,’ great melodies. [Lil Wayne and T-Pain's] ‘Lollipop’ was a fantastic melody. Everybody can’t do it. Let them guys do it. They got their little niche, let’s move on. That’s just my opinion. I don’t know if everybody feels the same way.”

The Brooklyn MC said his intention with the record was to “draw [a] line in the sand.”

The Jiggaman confirmed that his long-awaited Blueprint 3 is coming out via a new partnership with Atlantic Records; the album is expected to be released on September 11. They will handle the distribution for the album, which is housed on Hova’s Roc Nation.

“I got the foundation and I’m ready to blast off,” he said.

“I bought my album back — I overpaid for it,” he added about recently ending his long stint with Def Jam Records. “I believe at this point in my career, I wanted to be totally independent and free in what I wanted to do. Def Jam and Universal, they did a beautiful thing in letting me pay. They overcharged me a little bit, but I appreciate all the years they put into my career … I could never have a [traditional] record deal. I’m working with Atlantic, they gonna distribute the album and they’re doing a fantastic job. I get a chance to connect with the people I started my career with. It’s almost like poetic justice.”

Expect more from Jay soon. DJ Skee took to Twitter to say that the first official single from Blueprint 3 will be “On That,” featuring Drake. Jay wasn’t asked and didn’t speak on that song, but he did talk a little bit about the album’s feel.

“The vibe I’m on is, stripping it down and bringing it back classic,” Jay said. “I hear people, I gotta get back in my square and really let people know what time it is really quick.”

Even as the third incarnation of Black Sabbath – now doing business as Heaven & Hell – prepares to tour to promote its new album, “The Devil You Know,” a battle is raging over who should own the Sabbath name.

Frontman Ozzy Osbourne, who left the band in 1979 and returned in 1997 for periodic touring and a live album, is suing guitarist Tony Iommi, accusing him of falsely assuming ownership of the Sabbath name in a filing with the U.S. Patent and Trademark Office. The suit contends that Osbourne’s “signature vocals” were responsible for the band’s “extraordinary success,” noting its decline in popularity after he left the first time. Osbourne is demanding a 50 percent share of the name for himself as well as a split of monies earned while he was not in the band.

Iommi has not yet responded to the suit, but prior to that he acknowledged to Billboard.com that a desire to avoid “legal issues” was behind adopting the name Heaven & Hell for the currently active lineup that includes himself, original bassist Terry “Geezer” Butler, singer Ronnie James Dio (who replaced Osbourne in 1979) and drummer Vinnie Appice. And whole he acknowledged that having another name for a band that had recorded as Black Sabbath “does get confusing,” he maintained that it portrays the current group’s repertoire more accurately.

“I think if we went under the Black Sabbath label it would cause problems along the line,” Iommi said. “People would expect us to be playing ‘Iron Man’ and ‘Paranoid’ and other stuff from (the Osbourne era), and that wasn’t the idea with this lineup. The idea was to play all the stuff we’ve done with Ronnie, and that’s why we’re using the different name.”

Heaven & Hell, which reunited in 2007, is currently on tour in Europe and begins a 15-show North American swing on Aug. 7 in Vancouver.

Osbourne has also reached out to Iommi in a public statement released by his publicist, which reads:

“Since 1997 when Geezer, Bill (Ward, the group’s original drummer) and myself rejoined the band, Black Sabbath has returned to its former glory as we headlined sold-out arenas and amphitheatres playing to upwards of 50,000 people at each show around the world. We worked collectively to restore credibility and bring dignity back to the name ‘Black Sabbath,’ which lead to the band being inducted into the UK and US Rock & Roll Hall of Fames in 2005 and 2006, respectively…Tony, I am so sorry it’s had to get to this point by me having to take this action against you. I don’t have the right to speak for Geezer and Bill, but I feel that morally and ethically the trademark should be owned by the four of us equally. I hope that by me taking this first step that it will ultimately end up that way. We’ve all worked too hard and long in our careers to allow you to sell merchandise that features all our faces, old Black Sabbath album covers and band logos, and then you tell us that you own the copyright. We’re all in our 60s now. The Black Sabbath legacy should live on long after we have all gone. Please do the right thing.”

ijango:
Who says clothes don’t make the girl?

Miley Cyrus has just landed a deal with Wal-Mart to produce a clothing line with designer Max Azria of Hervé Léger, BCBG and Max Azria fame. And thanks to the the megastore, tweens can sport their Mileyware at her fall tour.

Hot on the heels of Taylor Swift’s Wal-Mart line of l.e.i. sundresses and the Jonas Brothers’ sweatervests, the “Miley Cyrus & Max Azria” label will include tops, pants, graphic tees, shoes and accessories all priced allowance-friendly and under . The goods will hit shelves, as well as Walmart.com, just in time for back-to-school shopping in early August—and her tour kickoff a few weeks later.

Wal-Mart is sponsoring the Miley Cyrus Live in Concert tour, launching Sept. 14 in Portland, Ore., and winding up 45 stops later in Miami.

As for those duds…

“We’re really excited,” BCBG Max Azria Group rep Patrick McGregor tells E! News.

“I love creating looks that are all about personal expression and individuality,” the recently reupped Hannah Montana said in a statement. “Collaborating with Max Azria has been an amazing experience, and I’m really excited about launching this line with Wal-Mart. There’s even more to come!”

In case the idea of Cyrus coming together with the designer sounds familiar, the pair shared a segment during the Nickelodeon Kids’ Choice Awards this year that had the starlet and Duane “The Rock” Johnson donning the same red frock. Miley also wore Hervé Léger to the Grammys in February and the London premiere of her movie last month. (Get a better sense of the Disney diva’s style in our Fashion Spotlight: Miley Cyrus gallery.)

“Miley Cyrus is talented and approachable, so working with her sparked a line that is authentic and vibrant,” the demure fashionisto said in a statement.

Susan Boyle, who became a global star after appearing on a British television talent contest, has left the London clinic where she was being treated for exhaustion, her brother said on Friday. The 48-year-old amateur singer from Scotland, whose performance on “Britain’s Got Talent” in April was downloaded nearly 200 million times on the Internet, was admitted to the Priory clinic on Sunday amid concerns for her mental health.

“She’s much happier,” her brother Gerry told GMTV.

“She seems a lot more like herself. I think things are becoming clearer now and she’s much more content. I believe she’s in the middle of London, in a flat in London.”

Dowdy and unglamorous, the unemployed church volunteer challenged viewers’ notion of what a star should be.

Boyle was thrust into the media limelight with camera crews camping outside her home and Larry King and Oprah Winfrey inviting her to appear on their U.S. chat shows.

But as Saturday’s final of the popular talent show approached, Boyle, who was starved of oxygen at birth leading to minor brain damage, began to show signs of strain, bursting into tears regularly and threatening to leave the show.

When she failed to win the final, despite overwhelming odds in her favor, she was admitted to the private clinic suffering from emotional exhaustion.
Boyle’s financial future is seen as secure despite coming second to dance troupe Diversity, as Britain’s Got Talent creator Simon Cowell and his Syco music label are expected to sign her up for an album.

There has also been talk of a Hollywood movie.

“The way forward now is to talk about where her career goes from here,” Boyle’s brother said.

“She’s absorbing the fact that America has a huge appetite for her and she’s now beginning to believe that yes, indeed, I will be a singer and there will be a recording career beyond it. It’s all she ever wanted to do.”

He backed Cowell to manage Boyle’s recording career.

“Simon Cowell — he’s been around the dance floor a few times hasn’t he? I’m sure that he knows that he’s got someone who has broken down the barriers in America before she even gets there and I’m sure Simon will do a good job for her.”

Boyle’s brother also confirmed reports that Boyle was expecting to perform in front of U.S. President Barack Obama.


Ijango Signup:
For nine weeks now, I’ve been meaning to write this column, but I kept getting distracted by stuff like the Keyboard Cat and Pretty Ricky’s latest round of furniture-humping histrionics. And that’s somewhat fitting, given that this column is about Cobra Starship, a band that has turned messing around on the Internet into an absolute art form.

And I’m not saying that to be dismissive of their success or because hyperkinetic party machine/ frontman Gabe Saporta sort of dresses like a blog, but rather, because, well … it’s true. Cobra Starship are a musical meme, the band equivalent of every groin shot, epic fail and outrageous bit of bodily harm you’ve ever watched YouTube or e-mailed to a million co-workers. Theirs is a brilliance reserved for the zeitgeist-grabbing Tay Zondays or Chris Crockers of the world. It’s stupid smart. Genius dumb. And this is something to be proud of.

Witness CobraCam.tv, an episodic site they launched nine weeks ago to promote their upcoming Hot Mess album (due August 11). This is a very clinical description of it, however, as it is “promotional” only inasmuch as it features the members of Cobra Starship. More correctly, it’s a sort of sketch-comedy showcase/ pop-culture blender/ “WTF is going on?” bonanza. It’s the kind of thing a million bands (and a billion kids on YouTube) try to do but always fail miserably at, because they are simply not funny — or stupid or clever or dedicated — enough to pull it off. Cobra Starship are all those things, and then some.

Over the course of nine sublimely silly installments, they’ve spilled gallons of blood, poked fun at Lil Wayne’s prodigious face tattoos, grown fake beards, harassed their merch guy, assaulted steaks with axes, attempted to grow breasts (keytarist Vicky Asher won that one by default), hawked cleaning products and cologne, performed surgery, rode a jackalope and wore more costumes than Lady Gaga. They’ve poked fun at the industry, British people, their fellow bands and, most importantly, themselves. None of it makes very much sense, and lord knows how we’re supposed to be gleaning any information about Hot Mess, but none of that matters. Because it’s all hilarious. And because, well, it’s Cobra Starship. The music is almost secondary.

And if that last line comes off as harsh, well, I’d be willing to bet the guys (and gal) in CS would agree with me. With Cobra, the comedy is the thing. And that’s more than evident on CobraCam.

There’s a deft comic touch on display here — truly some of the funniest moments come in the throwaway lines or the odd cutaway shot — and a fondness for the bizarre that recalls stuff like “The Kids in the Hall” or the British version of “The Office” (or even, to blaspheme a bit more, “Monty Python’s Flying Circus”). There are smart, subtle references to stuff like “The Big Lebowski” and Vince Offer and “St. Elsewhere” and Wes Anderson’s slo-mo tracking shots (there’s even a nod to “Goodfellas” in episode six, though I’m not sure the band even realizes it). And, of course, a collegiate dedication to getting wasted: Cobra Starship are, at the end of a day, a party band.

But here’s another one to throw at you: Cobra Starship are also a comedy troupe. Each member has a role (Saporta is the boozing lout, Asher the silent straight-woman, etc.), and as is the case with all great troupes, there is one breakout star. In Cobra’s case, it’s guitarist Ryland Blackington, a gangly, rubber-faced combination of “SNL”-era Chevy Chase and “Kids in the Hall”-era Kevin McDonald who positively carries the majority of the CobraCam stuff (check episodes two, six and nine for proof). Of course, bassist Alex Suarez and drummer Nate Novarro are pretty good too. Say what you will about Cobra Starship, but they definitely have the funniest rhythm section in the business.

And that’s sort of the point of all this, I suppose. As a band, Cobra Starship are a really great sketch-comedy troupe, and CobraCam is the proof. Their dedication — and, make no bones about it, to keep churning out episodes of quality stuff takes dedication — to the stupid, the insane and the subtle is what sets them apart from their contemporaries, and it’s all on display here. I’m not sure how any of this will help Hot Mess (do “funny” bands sell records? We Are Scientists sure didn’t), though that probably doesn’t matter. Love them or hate them, CS have always been fun-first, music-second, and that’s why kids pack their shows and throw the fangs in the air. In fact, it’s a sort of brilliant niche they’ve carved out, if you think about it. They’ve quietly become the court jesters of pop music. More proof that you’ve got to be pretty smart to be this stupid.

It’s one of the darkest, goriest songs on an album positively oozing with dark and gory songs. That’s why Travis Barker knew he had to record a version of Eminem’s “3 A.M.”

“I first heard it on some blogs, and right away, I was like, ‘Oh, damn, this is demonic,’ and I love stuff like that.” Barker laughed. “So I spoke to [Blink-182 and Eminem manager] Paul Rosenberg and said I wanted to do a remix of it, then Em and I spoke and discussed putting a rock twist on the song, and I got to it.”

So, over the course of four very short days — during breaks from rehearsals for Blink’s upcoming tour — Barker and a pair of his engineer pals laid down live guitar and bass tracks (and, of course, a healthy dose of his patented precise-yet-pounding drums). He sent them to Em for some tweaking, then put the finished product up on YouTube, and the rest is history.

“There’s not many songs I hear and trip out on, but this was one of them. The song is really dark and moody, and so that’s what I wanted the remix to be,” Barker said. “And it was cool, because I got to work with Eminem the producer, which is something that I don’t think a lot of people get to do. He listened to it, made some tweaks and gave it the OK.”

And for Barker, it was a welcome return to the world of remixing — a world he’s dominated over the past years with his takes on Flo Rida’s “Low” and Soulja Boy’s “Crank That.” He had to take a break from remixing while recovering from the dozens of surgeries he endured after walking away from a fiery South Carolina plane crash last year.

“I hadn’t done one since I was out of the hospital, so it was time, you know?” Barker said. “This was a dope-ass song, and when things come at me that I love, I pursue them. I was due for one, and it won’t be the last.”


Article from articlesbase.com

Andy Warhol, Robert Rauschenberg, And My Friend Amy

One night, upon returning from a “Musica Sacra” concert at Carnegie Hall, we saw our doorman propping up against the front wall a tall, drunken young lady. Mateo (the doorman) is a small man and was in bad need of help.

“It’s Amy-In 10E!” Mateo said.

Needless to say, we –my husband and I– immediately lent the poor doorman a hand, and in no time we walked Amy into the lobby and settled her in the wooden bench right across from the reception desk. In a while, Amy sobered up a little, letting us know that she could now walk. Since Mateo could not abandon his post, we decided to accompany Amy to her apartment. The rocking motion of the old elevator must have made her sick, for an abrupt avalanche non-digested hors d’oeuvres soiled her black taffeta cocktail, divinely deep-décolletage dress and my sequined sweater and white silk pants. Even my husband’s Armani tux got speckled.

The next day, Amy called.

She apologized profusely and I told her the same white lie my beloved grandfather had told me when I threw up on his new suit on Christmas Day when I was five: “Marc’s tux was new and a man’s suit never really hangs right until it has been dry cleaned once, Amy. My grandfather taught me that, and, as for me, I am way too messy to wear white pants without spilling something on them. Red wine this time. Not to worry, sweetie-been there done that!”

A couple of weeks went by and I forgot about the incident. I would have forgotten it altogether had it not been for my husband’s eagle eye.

“Mary Patricia!” I heard my husband yelled with definite urgency. “Hurry, come see Amy.”

Being addicted to the TV series “Law and Order” –and all their spin-offs– we tape them all and watch them every day. When I reached the living room, my husband, standing, was poking at the TV,

“Right here-there she is!”

“Oh, yeah! She looks pretty. Is she a member of the jury?”

“No, she’s the court recorder.”

Amy was a young actress, tall, pretty, a sweet voice, and what one would call ‘stage presence.’ Was she from Boston? Did that well-mannered sweetness say Boston? Although we were never close friends of hers, we loved seeing Amy play many roles in TV shows. We saw her being interviewed by Oprah on a piece about struggling actors. Later in the week, billed as the nameless face you’ve seen in so many TV shows, we even saw her do an impromptu dance with Ellen DeGeneres. For a while, she seemed to be in every talk show and situation comedy; never a big star, but always busy.

That summer we gave an evening party in her honor.

Marc and I live in a penthouse apartment and we used to have a terrace, but I convinced my husband, the co-op board, and the city to let me seal it in. For many years, Van Johnson –a mega movie star of the fifties– lived in our building before he moved to Sutton Place; something that made us proud of living in this building. And now that Amy’s career was taking off, gave us even more reason to feel pride once again.

Amy was the belle of the party.

2

One evening as Marc –my husband– went for his walk, he told me that he had seen Amy in the lobby and that she was a nervous wreck; that she looked bad: red-eyed, shaky hands, twitching lips. Men can be so curt. Not only do they tell you half a story, but in the next instant they turn on the news, leaving you dangling, eager for details. Try as hard as I might, I couldn’t get a good idea of what he meant. But going around and around, finally between him and the TV, I got the whole story. Amy –because of her drinking– had been fired from different shows. And that was true, for we no longer saw her in TV; at least not with the same frequency as before.

“Going through a rough patch, isn’t she?” I said.

“She said she couldn’t afford to live here anymore.”

“Maybe she should move into one of those empty studios-temporarily,” I said.

“She’s broke,” Marc said casually.

A couple of weeks later, since Marc was running out of his Merlot, I went to the Lexington corner store to order a case of Chilean wines that he likes so much. Amy was there. How can one miss a tall, gorgeous young lady in stretch pants, Hermes scarf casually draped, and oversized dark Coco Chanel sunglasses on top of her head. What a pity, I thought, such lovely features being ruined by booze.

Yet, an aura of class, chic, and mystery seemed to glow around her. The mystery part of the equation disturbed me a lot because I, without reason, attributed it to an unnatural dread, an impending gloom. Though I am practical woman, I’m also quite intuitive and can sense tragedy and disaster before they hit.

Amy and I chatted for a while. She intimated that her brother in Connecticut had been helping her with the maintenance payments, but that he couldn’t do it anymore.

“The cupboard is bare,” she said.

I admired her candor.

“Now I have to scrape some money to fly to L. A. I have a screen test next week,” she said, her sweet voice cracking a bit. “It’s a small role,” she added. “But like Maggio for Sinatra, it could be my ticket to the big leagues.”

Of course I didn’t offer to help, but I was itching to. When I saw that Amy’s eyes clouded with, what I took to be, frustration and despair, I must declare though, that the thought of giving her a loan crossed my mind. Filled with excitement I ran home to tell Marc about Amy’s possibilities in the ‘big leagues.’ Naturally, my telling was laden with hints that perhaps he should open up his wallet. Marc, who has a soft spot for damsels in stress and distress, without any direct prodding, agreed quickly that we should help; monetarily, that is.

“Below that rough exterior there’s a velvet heart,” I said as I planted a loud kiss on his wide and ample forehead.

3

Marc called Amy and congratulated her on her screen test and asked her if we could take her out to dinner and celebrate.

“No dinner, please!”

Instead, Amy insisted that we should come to her apartment for cocktails.

“An extra pound, and there goes the screen test,” she explained.

Weight, nutrition, eating well, feeling good about one’s body is something I truly understand. So I spoke over Marc’s voice: “Drinks is fine!”

Moments later, down we went to see her.

“What are you going to wear?” I asked Amy, my mind racing ahead, already envisioning her reading her part.

She brought out an outfit that was mostly black, way too New York in my opinion and wrong for her coloring. Launching into my favorite prattle on the power of color, especially on film, I knew I had Amy’s complete attention when I told her she was a “Spring” and that black made all Springs look old.

While Marc got busy with the TV to find a soccer channel, Amy and I went to her bedroom, straight into her closet.

In a New York minute, I suggested to Amy that she wear a peach open weave Jacket, a periwinkle silk tailored shirt, a rust linen knee-length skirt that was the color of her hair, a cream Prada bag and fabulous creamy beige Chanel sling backs.

“I’d never thought of that,” she said, a semi-tone of caution and doubt in her voice.

I smiled to set her at ease. “You realize this combo reflects your coloring: peaches and cream skin, bright blue eyes and auburn hair?”

Then I explained to her the concept of ‘signature’ to a woman, and suggested we look for some ‘signature’ jewelry.

She paled and gave me a distraught look.

Given her dire financial straits she had sold everything of value. I ran to the penthouse and returned with a peach pearl freshwater 18″ necklace, graded for 4-8 mm and matching 7 mm studs. When she put them on, they were just perfect for her for they enhanced the exquisite peach-like texture of her angelic face.

“Now, that is elegance!” I exclaimed.

Yet a definite nervousness shone in her eyes.

“Doesn’t borrowing real jewelry bring bad luck?”

“Who’s borrowing,” I said. “This is a gift.”

Confused, she kept quiet.

“These pearls are all wrong for me. I have a pink set which are much better for me. So I want you to have them. Peach will bring you good luck.”

For a second I thought she would not accept the gift. But she did.

Amy hugged me and thanked me as we ambled into the living room to join Marc.

The furniture in Amy’s apartment was sparse. “Minimalist,” Marc said later. Somehow I got the impression that Amy did not wish to be anchored to the place; “weighed down,” would be a more apt description. Yet, her long wall in the living room had a few pieces of original art. An original graphic by Andy Warhol and a small canvas by Robert Rauschenberg caught my attention. Unable to contain my admiration I let her know how envious and covetous I felt.

“Both artists freeze time with their icons,” she said, oblivious to the whisper-like quality of her voice. When she said ‘freeze’ it sounded more like fweeze, which again made me guess she was from Boston, where people omits r’s in their speech.

“You’ll be an American icon-soon,” Marc (Mr. Amiability) added.

“I’ll tell you how I came to own those two pieces some other time–not today.”

That laconic remark made me think that perhaps such event would account for that veil of melancholy that seemed to shroud her divine countenance.

Marc is now retired from business, but during his long career, he’s handled many individual and institutional investments. He’s never embarrassed to talk money. So, as I expected, in no time he had the situation under control. Placing a check on the coffee table all he said was:

“This will get you to L. A. and back.”

Amy nodded, and whispered what I took to be ‘thank you.’

That was the last time we saw her; in person–that is.

4

A month went by and we never heard from her. One day, when I went to pick up the mail I asked Mateo if Amy had returned from L.A. Shocked and perplexed, I learned that she had moved out. Moved out! I kept repeating to myself as if the echo would somehow deny the fact. Neither a telephone number nor a forwarding address had she left with the front desk. For some time Marc and I were a little disappointed that she had scamped without saying goodbye to us. We felt sorry we had befriended her, not because of the loss of the money (,000) we had loaned to her, but because of the breach of trust and cruel indifference.

To add insult to injury, one day the super –a plump wide-girthed Irishman– asked me point blank,

“When are you going to pick up that crate?”

“What crate?”

“10E left it. It’s marked ‘To be stored in PH.’”

The next day, one of the porters brought a crate half as tall as I was and about as wide as the door, but it was December and, up to my neck in the usual festivities. I put it away in the pine closet. But time that heals all wounds healed our wounded pride and never gave the crate another thought.

5

When the movie for which Amy had tested and gotten the part came out, Amy became an incredible success. We went to see it and Marc all but took credit for the acting performance, and with puffed up chest, much like a father who is proud of an accomplished child, he lavished praise on Amy for days on end. Other movies followed; all successful to say the least. At Oscar nights, Marc and I would see her on the red carpet posing gracefully –sweet, articulate, gorgeous– yet melancholy. During the awards ceremonies, when the cameras panned and focused on her, Marc and I would swoon and become intoxicated with her success.

Nothing gave me more pleasure than to see Amy always wearing my pearls. She hadn’t changed in that respect–she wore no jewelry other than the necklace and earrings I gave her for the screen test. That detail didn’t escape my attention; and in moments of solitude I would entertain the thought that she really never forgot us. With much awe, love, and adoration we followed her career. Amy’s mega star fame and success spilled over to us, for we felt that we were the partial architects of her fate.

This last year, she was nominated for supporting actress. Dressed in a Dior Periwinkle strapless chiffon with a slight Grecian drape, and my pearls, she was a vision reminiscent of Grace Kelly –the star who became a princess– and that night we prayed fervently for her to win the Oscar, but to no avail.

“Close, but no cigar,” Marc remarked with obvious disappointment in his voice.

“Next year she will–for sure, maybe she will wear an American designer,” I said.

But there was no next year.

By now, newspapers, magazines, and TV, have well recounted all the gruesome bits of the accident that took her life–an insane fatal DUI. Despite the abundant coverage in the media, no written article or TV piece did ever capture that mysterious beauty that seemed to emanate not from her looks, but from her soul: the sweet lilt of her speech; the languor of her hesitant smile; the dreamy mystic stare of those who linger on visions of the other shore. She was buried in her signature periwinkle blue and peach pearls; she had not reached 30.

We were devastated.

When the torrential news cycle wore down to a trickle, Marc asked me,

“What are we going to do with that crate?”

“She had a brother in Connecticut,” I said. “We could ship it to him, if we knew his address.”

Amy’s name was a stage name and we didn’t know her real name. The managing agents for our building were useless, totally reluctant to help.

So one weekend, we opened the crate. An envelope contained a brief note:

Dear Marc and Mary:

It makes me happy to know that you love these two pieces.

Enjoy them. I never did because they came to me as part of

the division of assets of my failed and much painful marriage. My ex husband purchased them for ,000-a long time ago! Thanks for the loan.

Amy.

The Warhol and the Rauschenberg now hang in the long wall of our living room, next to a small shrine that honors Amy’s loving memory.

Retired. Former investment banker, Columbia University-educated, Vietnam Vet (67-68).
For the writing techniques I use, see Mary Duffy’s e-book: Sentence Openers.
To read my book reviews of the Classics visit my blog: Writing To Live


Article from articlesbase.com

More Art Studio Furniture Articles

Best living Experience with Toronto Corporate Housing Executive suites

Toronto prides itself in having a vast range of exquisite accommodations. If you are planning a short trip or an extended stay in this city, you must consider the amount you can afford to spend on them. If you choose to reside in a hotel, it can prove to be rather costly for you. For most people, a better and more feasible option in terms of staying here is available in the form of vacation rentals serviced apartments. These are usually affordable accommodations that provide guests with different types of luxuries of good hotels. They also provide an environment of a home away from home which is really appreciable.  For business travelers, the best form of accommodations in Toronto is the Toronto Corporate Housing Executive suites. These are furnished suites that are stylish and contemporary with various facilities.

The Toronto Corporate Housing Executive suites are conveniently located near the historic Yorkville, Rogers Centre, CN Tower, University of Toronto, museums, sports centre, Air Canada Centre and Harbor front. These corporate residences are equipped with round the clock concierge for greeting guests and providing them with adequate security. Some luxurious facilities include state of the art amenities such as whirlpool, indoor pool and gym apart from private health club. The vacation rentals serviced apartments in Toronto offer lesser prices than three star hotels. They also provide more space than any typical hotel in this city. The best method of choosing the right apartment is to ensure that it meets all your requirements and preferences.

The vacation rentals serviced apartments are basically luxury apartment rentals located right at the heart of Toronto. You will find them available for rent in terms of weekly and monthly basis. These are widely available in the form of short term apartments for rent all over the city that cater to a variety of needs of the guests. These apartments provide more privacy than other typical hotels and you can relax and rejuvenate yourself at the end of a long day of business meetings or tiring sightseeing. The Toronto Corporate Housing Executive suites give their guests royal treatment in terms of the amenities they provide to them. With a fully equipped kitchen with large and small appliances, en-suite washer as well as dryer makes the stay more suitable and comfortable.

If you plan to visit Toronto for business or official purposes, then choosing an accommodation from Toronto Corporate Housing Executive suites will be the best option. These are especially designed for the relocation of corporate executives, business travelers or even for temporary lodging for the purpose of film shoots. As a guest here, you will receive linens, cable T.V and phone, designer furniture, weekly housekeeping and houseware. The vacation rentals serviced apartments have a wide selection that include furnished apartments, five bedroom apartments meant for families, studios for couples or business people traveling by themselves and even lofts. Such apartments are widely available in downturn Toronto. Concierge service, access to gyms and a lot more are included in the apartment’s rent. With completely functional kitchens, quality features of security, decorated and spacious rooms, laundry services and lavish bedrooms, you possibly could not ask for more.

If you want to know more about Toronto Corporate Housing Executive suites or vacation rentals serviced apartments you can visit the authentic websites for info and best deals.


Article from articlesbase.com

More Art Studio Furniture Articles